Friday, 1 May 2009

Album Review: The Soundcarriers - Harmonium (Uncut)

4/5
Spaced out retro futurism. From the Midlands.

When the inevitable Midnight Cowboy remake is commissioned, book The Soundcarriers for the soundtrack. Though Nottingham isn’t an obvious place for a 60’s baroque pop revival, such is The Soundcarriers’ attention to detail – split stereo, Joe Meek reverb – you’d be forgiven for thinking their debut was an elaborate prank. Harmonium updates lava lamp pyschedelic freakouts, David Axelrod’s jazzy grooves and the feathery female harmonies of The Free Design, whose Chris Dedrick provides sleevenotes for the vinyl. ‘Uncertainty’ consequently recalls Broadcast, albeit less aloof, while ‘Let It Ride’ sounds like Portishead if they’d jammed harder on Third.
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Album Review: Akron/Family - Set ‘Em Wild, Set ‘Em Free (Uncut)

3/5
Former freak-folkers kick out the jams

On their fifth album this East Coast trio – now without founding member Ryan Vanderhood – make it patently clear this is not the band whose 2005 debut placed them in the rustic shadows of former Young God Records labelmate Devendra Banhart. ‘Everyone Is Guilty’ picks up where Yeasayer left off, jamming Fela Kuti afrobeat and Family Stone funk into six jubilant minutes. But in case anyone suggests they’re jumping on Vampire Weekend’s bandwagon, they throw dub into ‘Creatures’, fingerpick their way through the melancholy ‘The Alps & Their Orange Evergreen’, while ‘MBF’ deafens with its skronk thrash.
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Album Review: Freda Payne - How Do You Say I Don’t Love You Anymore (Uncut)

3/5
Band Of Gold star’s 1966 second album reissued

Long consigned to the same easy listening charity racks as Nancy Wilson – their gutsy soulful deliveries overshadowed by big band arrangements – How Do You Say… proves Payne’s 60’s output is worth revisiting. The title track, extensively sampled by J-Walk’s ‘Soul Vibration’, should be instantly familiar, while a brassy ‘On Easy Street’ set the template for ‘Band Of Gold’. Her sultry take on ‘Feeling Good’ also proves she’d have done better providing theme tunes for Cubby Broccoli rather than appearing in front of the camera in the likes of The Nutty Professor II.
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